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Most of early American art (from the late 18th century through the early 19th century) consists of history painting and especially portraits. As in Colonial America, many of the painters who specialized in portraits were essentially self-taught; notable among them are Joseph Badger, John Brewster Jr., and William Jennys.
The Index's goal was establishing the basis for and contextualizing American art and design using, as a basis, these items created between the colonial period and the end of the nineteenth century. [3] [1] [4] [5] Constance Rourke was the editor and resident scholar of the Index; Ruth Reeves was its field supervisor. [6]
Many of the perishable surfaces, such as woven textiles, typically have not been preserved, but Precolumbian painting on ceramics, walls, and rocks have survived more frequently. The oldest known paintings in the South America are the cave paintings of Caverna da Pedra Pintada, in the Brazilian Amazon rainforest that date back 11,200 years. [1]
Edward Hicks Painting the Peaceable Kingdom by Thomas Hicks, depicting Edward Hicks painting one of his most noted artworks. [3]In colonial America, folk art grew out of artisanal craftsmanship in communities that allowed commonly trained people to individually express themselves, distinct from the high art tradition that dominated Europe, which was less accessible and generally less relevant ...
Corwin House, Salem, Massachusetts, built ca. 1670, First Period English. American colonial architecture includes several building design styles associated with the colonial period of the United States, including First Period English (late-medieval), Spanish Colonial, French Colonial, Dutch Colonial, and Georgian. [1]
The West as America, Reinterpreting Images of the Frontier, 1820–1920 was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring a large collection of paintings, photographs, and other visual art created during the period from 1820 to 1920 which depicted images and iconography of ...
Thus, their art reflects a pragmatic approach, embracing realistic imagery that evokes human decay into skulls and bones. Their use of simplistic, line-drawn imagery was a deliberate rejection of Catholic iconography, a choice also reflected in the design of their churches, portrait paintings and stained glass. [13]
The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
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