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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
À vau-l'eau is a key work in Huysmans' literary development. It is the last book written in the author's early Naturalist style, with its unflinching depiction of sordid everyday reality, but several features point the way forward to the radical departure marked by Huysmans' next — and most famous — novel, À rebours .
"Go with the Flow" is widely regarded as one of the band's best songs. In 2016, Louder Sound ranked the song number six on their list of the 10 greatest Queens of the Stone Age songs, [5] and in 2021, Kerrang ranked the song number four on their list of the 20 greatest Queens of the Stone Age songs.
Hypallage (/ h aɪ ˈ p æ l ə dʒ iː /; from the Greek: ὑπαλλαγή, hypallagḗ, "interchange, exchange") is a figure of speech in which the syntactic relationship between two terms is interchanged, [1] or – more frequently – a modifier is syntactically linked to an item other than the one that it modifies semantically. [2]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.