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Typical of the mystic crucifixes is the body of Christ hanging on a Y-shaped tree fork with his head falling low over his chest, his mouth contorted with pain and his eyes full of tears. His narrow, sinewy arms stretch more upward than sideways, his thin body is strongly bent and deeply sunken below the breastbone, with prominently protruding ...
Christ Crucified (Velázquez) Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus)
Mystic Crucifixion is a c. 1500 oil on canvas and egg tempera painting by the Florentine Renaissance master Sandro Botticelli (c. 1445-1510) . Painted during the part of his career when he came under the influence of the Dominican friar Girolamo Savonarola (though after the cleric had already been burnt at the stake), the work has been seen as a statement upon the state of Florence itself.
Strictly speaking, to be a crucifix, the cross must be three-dimensional, but this distinction is not always observed. An entire painting of the crucifixion of Jesus including a landscape background and other figures is not a crucifix either. Large crucifixes high across the central axis of a church are known by the Old English term rood.
Mechthild (or Mechtild, Matilda, [1] Matelda [2]) of Magdeburg (c. 1207 – c. 1282/1294), a Beguine, was a Christian medieval mystic, whose book Das fließende Licht der Gottheit (The Flowing Light of Divinity) is a compendium of visions, prayers, dialogues and mystical accounts. [3] She was the first mystic to write in Low German.
On a background of a scenic, almost visionary, landscape, with rocky spurs and a sea with cresting waves, the crucified Christ is silhouetted, dark, and monumental. Christ is displayed in a rigidly frontal position, with the signs of the Passion clearly visible (e.g., the dripping blood).
The crucifix of San Marcello is a medieval work of religious art that is venerated in the Oratory of Santissimo Crocifisso of the Church of San Marcello al Corso in Rome. Having survived a fire that destroyed the church in 1519, the crucifix was popularly believed to possess intercessory powers.
A part of this sign, relic known as the "Title" or "Titulus Crucis", kept in the Cappella delle Reliquie in Rome, Italy. Saint Helena, Roman Empress and mother of Emperor Constantine the Great, went on pilgrimage to the Holy Land and reportedly discovered the True Cross and many other relics which were donated to the church of Santa Croce in Gerusalemme ("Holy Cross in Jerusalem") which she ...