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Ready-to-wear clothing display of a U.S. Walmart department retailer in 2007. Ready-to-wear (RTW) – also called prêt-à-porter, or off-the-rack or off-the-peg in casual use – is the term for garments sold in finished condition in standardized sizes, as distinct from made-to-measure or bespoke clothing tailored to a particular person's frame.
Duchamp only made a total of 13 readymades over a period of time of 30 years. [4] He felt that he could only avoid the trap of his own taste by limiting output, though he was aware of the contradiction of avoiding taste, yet also selecting an object. Taste, he felt, whether "good" or "bad", was the "enemy of art". [5]
A readymade, or found object, is a piece of art created from undisguised, but often modified, objects or products that are not normally considered art.. Readymade may also refer to:
Ready-to-assemble furniture has roots that extend back a long way, as cabinetmakers have been making furniture that is easy to disassemble for transport for centuries. The New American Cyclopaedia of 1859 listed the assembly of furniture as an "American invention" [ 2 ] that emphasized ease of transport, but this claim is rather vague.
Commercial-off-the-shelf or commercially available off-the-shelf (COTS) products are packaged or canned (ready-made) hardware or software, which are adapted aftermarket to the needs of the purchasing organization, rather than the commissioning of custom-made, or bespoke, solutions.
What I was made for. What was I made for? Takin’ a drive, I was an ideal. Looked so alive, turns out I’m not real. Just somethin’ you paid for. What was I made for? ‘Cause I, I. I don’t ...
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A more unexpected rejection in 1999 came from artists—some of whom had previously worked with found objects—who founded the Stuckists group and issued a manifesto denouncing such work in favour of a return to painting with the statement "Ready-made art is a polemic of materialism". [29]