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Cannonball Musical Instruments first began as a saxophone manufacturer. Cannonball saxophones in current production are student Alcazar, intermediate Sceptyr, and professional Big Bell Stone Series, Vintage Series, and Key Artist Series models, [4] are made in a variety of finishes including The Brute (aged brass), Raven (iced black), Mad Meg (bare brass), and Hotspur (iced black and iced silver).
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood ...
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. [2]
His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. [3] When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee [4] and in amateur gigs around the area.
Hearing Adderley's often thrilling, always well-constructed alto sax improvisations over tunes like the standard 'I Got It Bad and That Ain't Good' is reason enough for the album to exist, and although Russo's orchestral flourishes occasionally threaten to overwhelm the soloist (especially on the closing 'The Tune of the Hickory Stick'), they ...
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. ... Paulo Moura - alto saxophone (#2, 4–5, 7–8) References
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968.
From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet.By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, [2] and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone.
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