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B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson. [1] King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece.
"Rock Me Baby" is a 1985 song by Johnny Nash. The song appeared on his Here Again album, released early the following year. After the release, the song was a minor hit in the United Kingdom but did not chart on the U.S. Billboard Hot 100. It was a bigger success in other European nations like Germany and Switzerland.
Rock Me Baby may refer to: "Rock Me Baby" (song), a blues standard, notably recorded by B. B. King in 1964 "Rock Me Baby" (Johnny Nash song), 1985; Rock Me Baby, a 1972 album by David Cassidy, or the title song; Rock Me Baby, a 2003–2004 U.S. comedy/drama series
Riding with the King was the first collaborative album by Eric Clapton and B.B. King. [1] [2] They performed together for the first time at Cafe Au Go Go in New York City in 1967 when Clapton was 22 and a member of Cream, but did not record together until 1997 when King collaborated with Clapton on the song "Rock Me Baby" for his duets album, Deuces Wild.
Best Rock Song “Broken Man”: Annie Clark, songwriter (St. Vincent) “Beautiful People (Stay High)”: Dan Auerbach, Patrick Carney, Beck Hansen & Daniel Nakamura, songwriters (The Black Keys)
Jorma Kaukonen showcased his blues roots with a slow, heavy cover of the traditional "Rock Me Baby", a song that had been played by the band as early as 1966. Of the remaining selections, "Clergy" was an audio excerpt from the film King Kong that was used to introduce the band at their Fillmore shows, while "Turn Down the Lights" was a short ...
The piece, initially called "Hit Me Baby," was written by Swedish music producer and songwriter Max Martin for TLC, the three-woman American R&B group.
His 1950 song "Rockin' and Rollin" was recast by later musicians as "Rock Me Baby". [1] [3] In 1951, Quinn shuttered the Gold Star label and sold or leased his catalogue of master recordings to other labels, with Modern Records buying 32 unreleased Jackson and Lightnin' Hopkins masters for $2,500. [4]