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This is a comprehensive listing which highlights significant achievements and milestones in Australian music chart history, based upon Kent Music Report and Australian Recording Industry Association. Songs with the most weeks at number one
Wakabayashi Yasushi is a Japanese designer, known as the creator of the first Kaomoji.He used (^_^) to replicate a facial expression. Despite not creating the design until 1986, a number of years after the American Scott Fahlman, it is believed that the concepts evolved completely independently of each other. [1]
The record for the longest wait from an artist's Hot 100 debut entry to its first No. 1 belongs to Santana, with 30 years between the time the band first cracked the Hot 100 with "Jingo" (October 25, 1969) and the first of 12 weeks at No. 1 with "Smooth," featuring Rob Thomas (October 23, 1999).
ORGAN 2 /ASLSP (As Slow as Possible) is a musical piece by John Cage and the subject of the second-longest-lasting (after Longplayer) musical performance yet undertaken. [1] Cage wrote it in 1987 for organ, as an adaptation of his 1985 composition ASLSP for piano. A performance of the piano version usually lasts 20 to 70 minutes. [2]
Dec. 2—André 3000 was clearly not trying to generate a pop hit single from his "New Blue Sun" instrumental album, but one song debuted this week on the Billboard Hot 100 and it is now ...
Kaomoji on a Japanese NTT Docomo mobile phone A Kaomoji painting in Japan. Kaomoji was invented in the 1980s as a way of portraying facial expressions using text characters in Japan. It was independent of the emoticon movement started by Scott Fahlman in the United States in the same decade. Kaomojis are most commonly used as emoticons or ...
Life + 70 years effective 1 July 1993 non-retroactively, but Life + 50 years for computer programs [220] [Life + 50 years (before the law change on 1 July 1993, applicable for deaths through 1942)] [221] 50 years after performance (performers' rights) [222]: Art. 39 Yes [222]: Art. 32 Syria: Life + 50 years [223]: Art. 22
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.