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  2. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Blues scale on C. Play ⓘ 1 ♭ 3 4 ♭ 5 ... Hungarian major scale on C. ... Bebop scale; Chord-scale system; Heptatonic scale; Jazz scale; List of chord progressions;

  4. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:

  5. Blue note - Wikipedia

    en.wikipedia.org/wiki/Blue_note

    The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively. These chords stand in the same relationship to one another (in the relative minor key ) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the ...

  7. A major - Wikipedia

    en.wikipedia.org/wiki/A_major

    For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys. Hector Berlioz complained about the custom of his day in which timpani tuned to A and E a fifth apart were notated C and G a fourth apart, a custom which survived as late as the music of Franz Berwald .

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