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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
The one builds up the pressure, the other releases it; and the turn is the dramatic and climactic center of the poem, the place where the intellectual or emotional method of release first becomes clear and possible. From line 9 it is usually plain sailing down to the end of the sestet and the resolution of the experience." [27]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The term trope derives from the Greek τρόπος (tropos), 'a turn, a change', [8] related to the root of the verb τρέπειν (trepein), 'to turn, to direct, to alter, to change'; [6] this means that the term is used metaphorically to denote, among other things, metaphorical language.
Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men"). During the Renaissance, scholars meticulously enumerated and classified figures of speech.
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In his model, the text controls. The reader's activities are confined within limits set by the literary work. Two of Iser's reading assumptions have influenced reading-response criticism of the New Testament. The first is the role of the reader, who is active, not passive, in the production of textual meaning.
Similarly, many poems of Wallace Stevens convey a struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of ...