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En La Fusa con Maria Creuza y Toquinho (also known as Grabado en Buenos Aires con Maria Creuza y Toquinho ) is a 1970 album by Vinicius de Moraes in partnership with Maria Creuza and Toquinho. It was recorded before a studio audience at Estudios ION [ es ] in Buenos Aires in July 1970.
Tota la nuèch canta, Canta sa cançon. Outside my window There is a little bird It sings all night, It sings its song. Denant de ma fenèstra, I a un aucelon, Tota la nuèch chanta, Chanta sa chançon. Outside my window, There is a little bird It sings all night, It sings its song. Chorus: Se canta, que cante, Canta pas per ieu, Canta per ma mia
The music is in cut time, originally written in C major. [2] The lyrics were reportedly written by Lecuona while away from Cuba and is about the homesickness he was experiencing. [ 3 ] The term " Siboney " refers to one of the indigenous tribes that inhabited Cuba before the arrival of the Spanish colonists and acts as a symbol for the island.
Cuarteto Zupay or simply Los Zupay, was an Argentinian Popular Music group formed in Buenos Aires in 1966 that remained active until 1991. The founding members were the brothers Pedro Pablo García Caffi and Juan José García Caffi (first tenor), Eduardo Vittar Smith and Aníbal López Monteiro (second tenor).
It opens with a dark and ominous theme shared between the violin and cello, accompanied by widely spaced chords in the piano. The second subject presents a new lyrical contrasting theme. After a dramatic development section, the movement ends boldly with an unexpected plagal cadence in E minor.
¡Oh tierra del sol! suspiro por verte. Ahora que lejos yo vivo sin luz ‒ sin amor. Y, al verme tan solo y triste cual hoja al viento, quisiera llorar, quisiera morir de sentimiento. So far am I from the land where I was born! Immense nostalgia invades my thoughts, and, to see myself, as lone and dismal as leaf on the wind,
Piano Concerto No. 10 (Mozart) P. Concerto for Two Pianos and Orchestra (Poulenc) Piano Concerto No. 6 (Prokofiev) R. Ricercare Concertante (Llácer Pla) V.
Héctor Angulo began to compose during the mid-forties decade of the 20th Century, and his first pieces were premiered during the fifties decade. [3] Upon his return to Cuba after studying in the United States, Angulo became immersed in the activity of the musical avant-garde of the sixties, and his Works "Trío" for flute, violin and piano from 1965, and his "Sonata for eleven instruments ...
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