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Although the foundation and media presentations are overtly Roman Catholic, they are intended to be ecumenical in scope. The organization states that it is "rooted in the Judeo-Christian tradition of service to God and humanity" and that "the Christophers embrace people of every nation, religion and age level."
Joel Sonnenberg (born November 1977) is a Christian motivational speaker. He is a graduate of Taylor University as well as Columbia International University 's seminary program. On September 15, 1979, when Sonnenberg was 22 months old, he was involved in a devastating accident that left him with burns over 85% of his body.
The Resurrection of Gavin Stone. A former child star takes on the role of Jesus in the Christmas pageant of the church he’s assigned to for community service.
Meeting of the Lord, Russian Orthodox icon, 15th century. The event is described in the Gospel of Luke (Luke 2:22–40).According to the gospel, Mary and Joseph took the Infant Jesus to the Temple in Jerusalem forty days (inclusive) after his birth to complete Mary's ritual purification after childbirth, and to perform the redemption of the firstborn son, in obedience to the Torah (Leviticus ...
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
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