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The Sunlight on the Garden is a 24-line poem by Louis MacNeice. It was written in late 1936 and was entitled Song at its first appearance in print, in The Listener magazine, January 1937. [ 1 ] It was first published in book form as the third poem in MacNeice's poetry collection The Earth Compels (1938).
The Earth Compels gathers together poems written by Louis MacNeice between 1935 and 1937. The manuscript was sent to the publishers Faber and Faber in late 1937. T. S. Eliot, who was an editor at Fabers and had previously given encouragement and support to MacNeice, wrote back on 6 January 1938: 'I have read THE EARTH COMPELS last night, and am very much pleased with it.'
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A folk rock ballad, [2] "Garden Song" was produced by Bridgers herself alongside Tony Berg and Ethan Gruska. [1] The song features a "wave of shimmery synths" and "delicate, crushing vocals", with its lyrics depicting "a scene from a fairytale, one that includes a house resting on a hill with thousands of roses (and probably a few ghosts)". [3]
June Thunder is a 28-line poem by Louis MacNeice.It was first published in book form in MacNeice's poetry collection The Earth Compels (1938). The poem begins with memories of idyllic summer days in the countryside - "the unenduring / Joys of a season" - before returning to the present and "impending thunder".
Antoinette Millicent Hedley Anderson (1907 – 1990) was an English singer and actor. [1] [2]Known as Hedli Anderson, she studied singing in England and Germany before returning to London in 1934.
Anniyan is the soundtrack album composed by Harris Jayaraj for the 2005 Indian Tamil film of the same name directed by S. Shankar.It eventually marked Harris' maiden collaboration, replacing his usual music director A. R. Rahman, who worked for his previous ventures as Rahman was busy with the production of the international musicals Bombay Dreams and Lord of the Rings.
The Dark Tower is a 1946 BBC Home Service radio play written, in verse, and produced by Louis MacNeice, with music composed for it by Benjamin Britten. [1] [2] [3] Dramatist and author Robin Brooks, writing in The Guardian in 2017, called it "a landmark in radio drama". [3] MacNeice wrote the play in the autumn of 1945.