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In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. [ 4 ] In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". [ 5 ]
A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. [1] Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They ...
Flashback (narrative), in literature and drama, a scene that takes the narrative back in time Flashback (psychology) , in which a memory is suddenly and unexpectedly revisited Acid flashback , a reported psychological effect of LSD use
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
With likely origins in oral tradition, the narrative technique of beginning a story in medias res is a stylistic convention of epic poetry, the exemplars in Western literature being the Iliad and the Odyssey (both 7th century BC), by Homer. [3] Likewise, the Mahābhārata (c. 8th century BC – c. 4th century AD) opens in medias res.
The seminal 1950 Japanese film Rashomon, based on the Japanese short story "In a Grove" (1921), utilizes the flashback-within-a-flashback technique. The story unfolds in flashback as the four witnesses in the story—the bandit, the murdered samurai, his wife, and the nameless woodcutter—recount the events of one afternoon in a grove. But it ...
In particular, nothing is said about dream sequences in literature, and only one sentence addresses anything other than film. Please expand the article to include this information. Further details may exist on the talk page. (September 2016)
The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini's The Kite Runner, the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.