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The Album is the 31st studio album by English singer Cliff Richard.Released in 1993, it peaked at number one on the UK Albums Chart, [4] becoming Richard's first non-compilation or non-film soundtrack album to reach the top spot since 21 Today in 1961.
[4] [5] The Beatles Bible describes this version as being "more rueful" than the Walls and Bridges version. [5] Yet another version was released on the 1998 compilation album John Lennon Anthology. [5] [10] Spizer regards this version as being very similar to the Walls and Bridges version. [10] The main differences are in the bass guitar part. [16]
"Shohikigen" has been described as a ballad with soft vocals that evoke feelings of sadness and nostalgia. [7] Lyrically, the song explores the "expiration date" of "even the strongest feelings". [8] The lyrics for "Shohikigen" were written by Woozi and Bumzu, with Japanese lyrics written by Barbora.
Love & Emotion" is the first single from the album Love & Emotion, released by Freestyle music singer Stevie B in 1990. It is the first song from Stevie B to enter the Top 15 of the Billboard Hot 100, and also the first to enter the singles chart in Germany, where he achieved the position #31. A music video was also shot for the song.
The title is a paraphrase of a biblical quote: "Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death; jealousy is cruel as the grave: the coals thereof are coals of fire, which hath a most vehement flame." (Song of Solomon 8:6).
"So I Can Love You" was a top 40 hit on the pop charts, peaking at No. 39, and at No. 3 on the R&B charts. [3] [4] "The Best Part of a Love Affair" peaked at No. 101 on the pop charts and at the top 40, peaking at No. 27 on the R&B charts. [5]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
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