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A more complete illustrated list of world maps of that time may be compiled from the comprehensive survey of Shirley. Comparisons with his own map show how freely he borrowed from these maps and from his own 1538 world map [34] and his 1541 globe. [citation needed] A 1550 portolan of the eastern Mediterranean showing the high quality of coastal ...
Theatrum Orbis Terrarum (Latin: [tʰɛˈaːtrũː ˈɔrbɪs tɛˈrːaːrũː], "Theatre of the Lands of the World") is considered to be the first true modern atlas.Written by Abraham Ortelius, strongly encouraged by Gillis Hooftman [2] and originally printed on 20 May 1570 in Antwerp, [3] it consisted of a collection of uniform map sheets and supporting text bound to form a book for which ...
A temple of Pythian Apollo, was built in the 7th century BC. The plan measured 19.00 x 16.70 m and it was not peripteral. The walls were solid, made from limestone, and there was a single door on the east side. [citation needed] Thermon (West Greece): The Doric temple of Apollo Thermios, was built in the
We have the Apollo missions to thank for a lot of our geological knowledge about the moon.
The Fool's Cap Map of the World is an artistic presentation of a world map created by an unknown artist sometime between 1580 and 1590 CE. The engraving takes the form of a court jester with the face replaced by cordiform (heart-shaped or leaf-shaped) world map based on the designs of cartographers such as Oronce Finé , Gerardus Mercator , and ...
Apollo 13 was slated to be the third landing on the moon after Apollo 8 (1968) and Apollo 12 (1969). Launched on April 11, 1970, the crew was led by commander Lovell, along with command module ...
The Babylonian Map of the World (also Imago Mundi or Mappa mundi) is a Babylonian clay tablet with a schematic world map and two inscriptions written in the Akkadian language. Dated to no earlier than the 9th century BC (with a late 8th or 7th century BC date being more likely), it includes a brief and partially lost textual description.
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...