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All of the thirteen songs in the album were handpicked by Jay R himself, and for the first time, he decided to record an all-Tagalog album as a tribute to some of the biggest OPM hitmakers during the 80's and 90's. Songs from OPM luminaries like Basil Valdez, Sharon Cuneta, Martin Nievera, Gary Valenciano, Regine Velasquez, Jaya, Zsa Zsa ...
It should only contain pages that are OPM (band) songs or lists of OPM (band) songs, as well as subcategories containing those things (themselves set categories). Topics about OPM (band) songs in general should be placed in relevant topic categories .
After 2 years they finally managed to start writing songs and sent a 3 track demo to Atlantic Records, [1] leading them to get signed despite having never played live together. OPM released their debut album, Menace to Sobriety, in August 2000 on Atlantic Records. [4] Their debut single "Heaven Is a Halfpipe" charted worldwide and won the Kerrang!
"Stash Up" is the third single released by OPM, and the final from the album Menace to Sobriety. It features samples of Jane's Addiction's Mountain Song, [1] Boss's "I Don't Give a Fuck", [2] Tenor Saw's "Ring The Alarm" [3] and "Gimmie The Loot" performed by The Notorious B.I.G. The song was featured on Kerrang!'s The Best of 2001 compilation. [4]
Menace to Sobriety is the debut studio album by American rock group OPM.It was released in August 2000 via Atlantic Records, and was re-released on September 8, 2015 as part of its 15-year anniversary. [2]
Released in 1962, “Monster Mash” is the “hit of the land,” which means that no Halloween party playlist is complete without it. ‘This is Halloween’ by The Citizens of Halloween
"El Capitan" is the second single by American rock band OPM. The original version was featured on their debut studio album, Menace to Sobriety. It went on to chart at number 20 on the UK Singles Top 40. [1] It was written about the band's favorite rum. The song was also remixed by Damien Mendis and Stuart Bradbury of SoulChild.
This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes). As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.