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Sigālovāda Sutta is the 31st Sutta described in the Digha Nikaya ("Long Discourses of Buddha"). [1] It is also known as the Sīgāla Sutta , [ 2 ] the Sīgālaka Sutta , [ 3 ] the Si ṅ gālovāda Sutta , the Si ṅ gāla Sutta, [ 4 ] and the Sigālovāda Suttanta ("The Sigāla Homily").
Singing Dharma songs is an extraodinarily skillful and enjoyable Buddhist practice technique that Rinpoche has introduced to his students in a variety of ways: Rinpoche himself sings regularly; he has given illuminating explanations of the profound songs of the great masters; has composed many of his own songs; and has instructed and encouraged ...
Song Composer(s) Writer(s) Co-artist(s) Amavas Ki Raat: 129 "Is Mehfil Mein" Usha Khanna: 130 "Mastani Barsaat" Bandh Darwaza: 131 "Bheega Bheega" Anand–Milind: Suresh Wadkar: Bungalow No 666: 132 "Rootha Hai Manaa Lenge" Anu Malik: Mohammed Aziz Deewana Mujh Sa Nahin: 133 "Hum Tum Se" Anand–Milind: Amit Kumar 134 "Khadi Raho Baith Jao ...
The Buddha compares someone who understands only the letter of the teachings to someone who grabs a snake by the tail, and also invokes the famous simile of the raft. MN 23 Vammika Sutta: The Ant: In a curious discourse laden with evocative imagery, a deity presents a riddle to a mendicant, who seeks an answer from the Buddha. MN 24 Ratha ...
In Buddhism, an āgama (आगम Sanskrit and Pāli, Tibetan ལུང་ (Wylie: lung) for "sacred work" [1] or "scripture" [2]) is a collection of early Buddhist texts.. The five āgama together comprise the Suttapiṭaka of the early Buddhist schools, which had different recensions of each āgama.
In the Aggi-Vacchagotta Sutta itself, it is clear that the Buddha is the subject of the metaphor, and the Buddha has already "uprooted" or "annihilated" the five aggregates. [6] In Sn 1074, it is stated that the sage cannot be "reckoned" because he is freed from the category "name" or, more generally, concepts.
The sutta is composed of 17 stanzas. The first part of each stanza mentions something that is given up or overcome—anger, lust, conceit, etc.—and the second part is always the couplet "...that bhikkhu gives up the here and the beyond / as a serpent sheds it old worn-out skin," which is a simile for the first part.
Song Composer(s) Writer(s) Co-singer(s) Ref. Bade Dilwala "Tu Tu Ru Tu Ru" Aadesh Shrivastava: Qateel Shifai: Udit Narayan: Dahek "Ho Gori Aaja" Dev Kohli Vinod Rathod, Udit Narayan, Alka Yagnik: Jaanwar "Paas Bulati Hai" Anand–Milind: Sameer: Alka Yagnik "Tujhko Naa Dekhoon" Udit Narayan "Rishta Dilon Ka" (Sad Version) Mast "Main Mast ...