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Maximillian (Max) Margius Fernekes (July 7, 1905 – November 28, 1984) was an American artist known for his etching and watercolors of the Wisconsin cityscapes. He has been called the Norman Rockwell of Mineral Point and Milwaukee, Wisconsin .
Hermann Max Pechstein (31 December 1881 – 29 June 1955) was a German expressionist painter and printmaker and a member of the Die Brücke group. He fought on the Western Front during World War I and his art was classified as Degenerate Art by the Nazis. More than 300 paintings were removed from German Museums during the Nazi era.
Max Lingner. 1929 - 1949 Paintings and drawings. In the spring of 2020, the Musée de l'Histoire vivante, in Montreuil organised an exhibition . Max Lingner. À la recherche du temps présent [17] proposed by the Max-Lingner-Stiftung in Berlin. The inauguration in the presence of representatives of the Max-Lingner-Stiftung took place on ...
The painting was one of 18 works by Monet exhibited at the second Impressionist exhibition in April 1876, at the gallery of Paul Durand-Ruel.Ten years later, Monet returned to a similar subject, painting a pair of scenes featuring his second wife's daughter Suzanne Monet in 1886 with a parasol in a meadow at Giverny; they are in the Musée d'Orsay.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
A Girl with a Watering Can is an 1876 Impressionist oil painting on canvas by Pierre-Auguste Renoir. The work was apparently painted in Claude Monet's famous garden at Argenteuil, and may portray one of the girls in Renoir's neighborhood in a blue dress holding a watering can. [1] The painting is in the National Gallery of Art, in Washington, D.C..
Just Words. If you love Scrabble, you'll love the wonderful word game fun of Just Words. Play Just Words free online! By Masque Publishing
Women in the Garden (French: Femmes au jardin) is an oil painting begun in 1866 by French artist Claude Monet when he was 26. It is a large work painted en plein air; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work.
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