Search results
Results from the WOW.Com Content Network
Arabesque: a position of the body in which a dancer stands on one leg with the other leg raised behind the body, extended backward in a straight line. [7] Attitude: a position of the body which is a variation of the arabesque. In this position, a dancer's extended leg is raised behind the body, bent at the knee at a 90-degree angle. [7]
In 1725, dancing master Pierre Rameau credited the codification of these five positions to choreographer Pierre Beauchamp. [1] Two additional positions, known as the sixth and seventh positions, were codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies.
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
Fourth crossed position: one arm is in the first position, the other is rounded and raised above the head. Fourth ordinary position: one arm is in the second position, the other is rounded and raised above the head. Fifth position or bras en couronne: both arms are rounded and held above and slightly forward of the head. Cecchetti method:
The promenade position is a V-shaped dance position with the leader's right hip and the follower's left hip in contact at the point of the "V", and with the leader's left side and the follower's right side slightly open. The direction of travel is toward the openside.
Neagle, R.J. and Ng, K.C. (2003) Machine-representation and Visualisation of a Dance Notation. in Proceedings of Electronic Imaging and the Visual Arts - London July 2003. Ryman-Kane, Rhonda, and Hughes Ryman, Robyn (2014) Benesh for Ballet, Book I: Basic Ballet Positions in Word Definitions, DanceForms Images, and Benesh Movement Notation ...