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Clairvoyance (/ k l ɛər ˈ v ɔɪ. ə n s /; from French clair 'clear' and voyance 'vision') is the claimed ability to acquire information that would be considered impossible to get through scientifically proven sensations, thus classified as extrasensory perception, or "sixth sense".
The following is a list of commonly used chord ... Major: Major: Minor: Minor: Atonal: Atonal: ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital ...
From the major key's I–ii–iii–IV–V–vi–vii o progression, the "secondary" (minor) triads ii–iii–vi appear in the relative minor key's corresponding chord progression as i–iv–v (or i–iv–V or i–iv–V7): For example, from C's vi–ii–iii progression Am–Dm–Em, the chord Em is often played as E or E7 in a minor chord ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Curse – Any expressed wish that some form of adversity or misfortune will befall or attach to one or more persons, a place, or an object. Energy medicine – The ability to heal with empathic, etheric, astral, mental or spiritual energy. [3] Ergokinesis – The ability to influence the movement of energy, such as electricity, without direct ...
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A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).