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Touch of Death (Italian: Quando Alice ruppe lo specchio) is a direct-to-video Italian horror film directed by Lucio Fulci. The film was developed as part of a series for direct-to video and television films titled I maestri del thriller which had eight other films in the series.
John Fian (alias Cunninghame) (died 27 January 1591) was a Scottish schoolmaster in Prestonpans, East Lothian and purported sorcerer.He confessed to have a compact with the devil while acting as register and scholar to several witches in North Berwick Kirk.
The Magic Christmas Tree: Richard C. Parish: 1964 [245] The Magic Sword: Walter R. Booth: 1901 [246] Magic Tree House (Majikku Tsurī Hausu) Hiroshi Nishikiori: 2011 [247] Mahakaal: Shyam Ramsay, Tulsi Ramsay: 1993 [248] Maleficent: Robert Stromberg: 2014 [1] Mark of the Devil (Hexen bis aufs Blut gequält) Michael Armstrong: 1970
Touch of Death is a martial arts move. Touch of Death may also refer to: Touch of Death; Touch of Death (Lucio Fulci film), an Italian horror film "Touch of Death" (crossover event), a two-part crossover special between Hawaii Five-0 and NCIS: Los Angeles; Touch of Death (Dungeons & Dragons), an adventure for the Dungeons & Dragons role-playing ...
George Francis King (10 January 1934 – 8 November 1994), [1] known as Francis X. King, was a British occult writer and editor from London who wrote about tarot, divination, witchcraft, magic, sex magic, tantra, and holistic medicine.
The bull recognized the existence of witches: Many persons of both sexes, unmindful of their own salvation and straying from the Catholic Faith, have abandoned themselves to devils, incubi and succubi, and by their incantations, spells, conjurations, and other accursed charms and crafts, enormities and horrid offences, have slain infants yet in the mother's womb, as also the offspring of ...
Touch of Death is a 1961 black and white British second feature [1] crime film directed by Lance Comfort and starring William Lucas, David Sumner, Ray Barrett and Jan Waters. [2] It was written by Lyn Fairhurst from a story by Aubrey Cash and Wilfred Josephs.
The Formicarius uses a teacher–pupil dialogue as its format. The teacher is a theologian who is clearly meant to be Nider himself. The student is presented as a curious but lazy individual who is there primarily to prompt the theologian to recount contemporary stories related to the book's many themes. [9]
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