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The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work").
In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition , attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as ...
Alchemical symbols were used to denote chemical elements and compounds, ... illustrating the interplay of the four elements of matter symbolising the philosopher's stone.
In alchemy and philosophy, prima materia, materia prima or first matter (for a philosophical exposition refer to: Prime Matter), is the ubiquitous starting material required for the alchemical magnum opus and the creation of the philosopher's stone. It is the primitive formless base of all matter similar to chaos, the quintessence or aether.
The philosopher's stone of European alchemists can be compared to the Grand Elixir of Immortality sought by Chinese alchemists. In the hermetic view, these two goals were not unconnected, and the philosopher's stone was often equated with the universal panacea; therefore, the two traditions may have had more in common than initially appears.
The three phases of the magnum opus: nigredo, albedo and rubedo. (from Pretiosissimum Donum Dei, published by Georges Aurach in 1475). Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. [1]
The filius philosophorum (Latin for "the philosophers' child", i.e. made by the true students of philosophy) is a symbol in alchemy. In some texts it is equated with the philosopher's stone ( lapis philosophorum ), but in others it assumes its own symbolic meanings.
In Medieval literature, which developed an intricate system of images and symbols for alchemy, the dove often represented this stage, while the raven symbolized nigredo. [5] Titus Burckhardt interprets the albedo as the end of the lesser work, corresponding to a spiritualization of the body. Claiming the goal of this portion of the process is ...
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