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M2TS supports Digital 3D as multiple files in a specific file structure for encoding stereoscopic video: MVC stereoscopic data is in .ssif files in the /BDMV/STREAM/SSIF/ directory and require a respective base .m2ts file. Digital 3D in QTFF and ASF is possible, but not standard. MP4 only supports Digital 3D at the video format level. [44]
One major uncompressed audio format, LPCM, is the same variety of PCM as used in Compact Disc Digital Audio and is the format most commonly accepted by low level audio APIs and D/A converter hardware. Although LPCM can be stored on a computer as a raw audio format, it is usually stored in a .wav file on Windows or in a .aiff file on macOS.
A raw audio file is any file containing un-containerized and uncompressed audio. The data is stored as raw pulse-code modulation (PCM) values without any metadata header information (such as sampling rate , bit depth , endian , or number of channels).
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
LaserDiscs with digital sound have an LPCM track on the digital channel. On PCs, PCM and LPCM often refer to the format used in WAV (defined in 1991) and AIFF audio container formats (defined in 1988). LPCM data may also be stored in other formats such as AU, raw audio format (header-less file) and various multimedia container formats. LPCM has ...
A PCM signal is a sequence of digital audio samples containing the data providing the necessary information to reconstruct the original analog signal.Each sample represents the amplitude of the signal at a specific point in time, and the samples are uniformly spaced in time.
For image editing users are advised to capture or save images in a raw or uncompressed format, and then edit a copy of that master version, only converting to lossy formats if smaller file sized images are needed for final distribution. As with audio, transcoding from lossy format to another format of any type will result in a loss of quality.
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