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Khal Nayak is known for its music, especially the controversial song "Choli Ke Peeche Kya Hai", sung by Alka Yagnik and Ila Arun. The Khal Nayak soundtrack album sold 10 million copies, making it one of the year's best-selling Bollywood soundtrack albums, along with Baazigar . [ 2 ]
Laxmikant-Pyarelal gave him excellent songs in several films like Bedardi, Dilbar and many other films, and decided that he would be the major voice of Rishi Kapoor in the R K film Prem Granth. Their hits with him included "Jab Se Main Jara Sa Badnam Ho Gaya' – Gumrah and "Nayak Nahin Khalnayak Hoon Main" – Khal-Nayak.
Khal Nayak: 679 "Khal Nayak Hun Main" Laxmikant - Pyarelal: Vinod Rathod 680 "Khal Nayak Hai Tu" Laxmikant - Pyarelal: Illa Arun Khal-Naaikaa 681 "Kisi Ki Premika Banke" Mahesh - Kishore: Sadhana Sargam 682 "Mere Mehboob Se Militi Hai" Solo Kohra 683 "Mausam Rangeen Hai" Charanjit Ahuja: Kumar Sanu Kshatriya 684 "Dil Na Kisika Jaaye" Laxmikant ...
Dand Nayak: 1459 "Dushman Se Bhi Pyar Karo" Rajesh Roshan Sonu Nigam 1460 "Tera Bhi Ye Haal Huya" Kumar Sanu 1461 "Ek Sau Do Ek Sau Teen" Vinod Rathod: Deewana Hoon Pagal Nahi: 1462 "Nazaron Mein Rang Hai" Aadesh Shrivastava Anwar Sagar Udit Narayan 1463 "Deewana Hoon" Dev Kohli solo Devta: 1464 "Dheere Dheere Ankh Ladi" Dilip Sen-Sameer Sen
Malika Pukhraj (Punjabi, Urdu: ملكہ پکھراج) (1912 – 2004) was a highly popular Ghazal and folk singer of Pakistan. [1] She was generally known as "Malika", meaning "The Queen", publicly. [ 2 ] [ 1 ] She was extremely popular for her rendition of Hafeez Jalandhri 's nazm song, Abhi tau main jawan hoon ("I am still young"), which is ...
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S M Sadiq in Chandigarh, Punjab, India in 2002. Sheikh Muhammad Sadiq (Urdu: شیخ محمد صادق) or S M Sadiq is a Pakistani lyricist and a poet whose written songs frequently have been sung by Ustad Nusrat Fateh Ali Khan, and other singers like Attaullah Khan Esakhelvi, Aziz Mian, Shabnam Majeed, Shahid Ali Khan and Arif Lohar.
In Indian cinema, an item number or special song is a musical number inserted into a film that may or may not have any relevance to the plot. The term is commonly used within Indian films (Telugu, Tamil, Hindi, Kannada, Punjabi, and Bengali cinema) to describe a catchy, upbeat, often provocative dance sequence for a song performed in a movie. [1]