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Okwui Enwezor // ⓘ (23 October 1963 – 15 March 2019) [1] was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City [ 2 ] and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
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A Georges Adéagbo, Ravi Agarwal, Eija-Liisa Ahtila, Chantal Akerman, Gaston André Ancelovici (Colectivo Cine-Ojo), Fareed Armaly, Rashid Masharawi, Michael Ashkin, Asymptote Architecture, Kutlug Ataman, The Atlas Group, Walid Raad
He was one of the curators of [5] (Kassel, 2002), as part of the group directed by Okwui Enwezor. He was also one of the curators of the first and second [ 6 ] (1995 and 1997. The large list of exhibitions he has curated include [ 7 ] In/Sight, African Photographers 1940 to the Present (Guggenheim Museum, New York, 1997, and Versiones del Sur ...
The Internet Archive is an American non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. [2] [3] [4] It provides free access to collections of digitized media including websites, software applications, music, audiovisual, and print materials.
Chika Okeke-Agulu was born in Umuahia in Nigeria in 1966. He studied at the University of Nigeria, Nsukka (BA, First Class Honors, Sculpture and Art History, 1990; MFA, Painting, 1994), University of South Florida (MA, Art History, 1999), and Emory University (PhD, Art History, 2004).
In 2015 the work was exhibited in the Giardini Central Pavilion at the 56th Venice Biennale, "All the World’s Futures", curated by Okwui Enwezor. [ 10 ] Earth's Creation was sold at auction in 2017 to New York-based dealer Tim Olsen for a client for $2.1 million, breaking the record it had set in 2015 for the highest sale price achieved by an ...
Another example for subverting binary taxonomies is the book Contemporary African Art after 1980 by Okwui Enwezor and Chika Okeke-Agulu. [21] Rather than putting contemporary African art in relation to Western traditions, they contrast it with modern African art, in that it defies linear grand narratives of modernism and is radically postcolonial.