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Lonnie Ray Frisbee (June 6, 1949 – March 12, 1993) was an American Charismatic evangelist in the late 1960s and in the 1970s; he was a self-described "seeing prophet". [1] [2] He was known for his hippie appearance.
In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment. The use of instruments native to the culture was an important step in the multiplication of songs written to accompany the Catholic liturgy ...
In 1969 Calvary Chapel became a hub in what later became known as the Jesus movement when Smith's daughter introduced him to her boyfriend John Higgins Jr., a former hippie who had become a Christian, and who went on to head the largest Jesus freak movement in history, the Shiloh Youth Revival Centers (1968-1989). [5]
Young priests driven by liberal politics and progressive theology, so common in the 1960s and 70s, have “all but vanished,” said a 2023 report from The Catholic Project at Catholic University ...
Jesus music, known as gospel beat music in the United Kingdom, is a style of Christian music that originated on the West Coast of the United States in the late 1960s and early 1970s. This musical genre developed in parallel to the Jesus movement .
As a hippie Ken Westerfield helped to popularize Frisbee as an alternative sport in the 1960s and 1970s. Much of hippie style had been integrated into mainstream American society by the early 1970s. [57] [58] [59] Large rock concerts that originated with the 1967 Monterey Pop Festival and the 1968 Isle of Wight Festival became the norm ...
In 1968, long-haired teenagers mingle with hippies as they listen to bands at a pop music festival in Gulfstream Park in Hallandale Beach. Key West A hippie wedding in Key West in 1968.
Repp as one of the first artists to employ the idiom of popular 1960's folk music within Catholic liturgical music. While clearly not neglecting vertical theology in his compositions, Repp was a major proponent of horizontal theology (i.e., emphasis on social justice themes and 'love of neighbor') in Christian music.