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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
[6] Its large section on the lute contained a comprehensive lute tutorial and guide to the instrument, [5] and there was a similar, smaller section on the viol. [3] The book also contained some metaphysical speculation regarding the significance of musical ratios such as the octave. [7]
Demetrius Constantine Dounis (also Demetrios), also known as D. C. Dounis (Greek: Δημήτριος Κωνσταντίνος Δούνης; 21 December 1893 [1] – August 13, 1954), was an influential teacher of violin and string instrument technique, as well as violinist, violist, and mandolin player.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
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Hooke ran a violin bow along the edge of a plate covered with flour and saw the nodal patterns emerge. [10] [8] [9] [11] Chladni's technique, first published in 1787 in his book Entdeckungen über die Theorie des Klanges ("Discoveries in the Theory of Sound"), consisted of drawing a bow over a piece of metal whose surface was lightly covered ...
The abbreviations col 8, coll' 8, and c. 8 va stand for coll'ottava, meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves. Any of these directions can be cancelled with the word loco , but often a dashed line or bracket indicates the extent of the music affected.