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If you consider an experimenter taking a reading of the time period of a pendulum swinging past a fiducial marker: If their stop-watch or timer starts with 1 second on the clock then all of their results will be off by 1 second (zero error).
The earliest significant use of music indeterminacy features is found in many of the compositions of American composer Charles Ives in the early 20th century. Henry Cowell adopted Ives's ideas during the 1930s, in such works as the Mosaic Quartet (String Quartet No. 3, 1934), which allows the players to arrange the fragments of music in a number of different possible sequences.
The Gibson L series is a series of small-body guitars produced and sold by Gibson Guitar Corporation in the early 20th century. The first guitars of this series, Gibson L-0 and Gibson L-1, were introduced first as arch-tops (1902), and later as flat tops in 1926. The L series was later gradually replaced by the LG series in the 1940s.
Any non-linear differentiable function, (,), of two variables, and , can be expanded as + +. If we take the variance on both sides and use the formula [11] for the variance of a linear combination of variables (+) = + + (,), then we obtain | | + | | +, where is the standard deviation of the function , is the standard deviation of , is the standard deviation of and = is the ...
The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...
In mathematics, particularly in algebra, an indeterminate equation is an equation for which there is more than one solution. [1] For example, the equation a x + b y = c {\displaystyle ax+by=c} is a simple indeterminate equation, as is x 2 = 1 {\displaystyle x^{2}=1} .
The RD series (guitar and bass) was the result of Gibson's desire to tap into the developing synthesizer market, which was thought to have taken customers away from guitars. [3] The series had longer scale lengths : The guitars came in 25½ " , which is more commonly found on most Fender guitars and the many instruments inspired by them, as ...
(1) The Type I bias equations 1.1 and 1.2 are not affected by the sample size n. (2) Eq(1.4) is a re-arrangement of the second term in Eq(1.3). (3) The Type II bias and the variance and standard deviation all decrease with increasing sample size, and they also decrease, for a given sample size, when x's standard deviation σ becomes small ...