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The Maison de l’Art nouveau, 1895. The Maison de l'Art Nouveau ("House of New Art"), abbreviated often as L'Art Nouveau, and known also as Maison Bing for the owner, was a gallery opened on 26 December 1895, by Siegfried Bing at 22 rue de Provence, Paris. [1] The building was designed by the architect Louis Bonnier (1856–1946). [2]
Bing, wearing a hanfu Cover of an issue of Le Japon Artistique, which he published from 1888 to 1891 His gallery the Maison de l'Art Nouveau in Paris Gallery entrance. Samuel Siegfried Bing (26 February 1838 – 6 September 1905), who usually gave his name as S. Bing (not to be confused with his brother, Samuel Otto Bing, 1850–1905), was a German-French art dealer who lived in Paris as an ...
Bonnier shared an interest in Japanese prints and stencil patterns with Siegfried Bing, and in 1895 was the main architect and designer for the renovation of Bing's shop at 22 rue de Provence in Paris, the Maison de l'Art Nouveau. Bing had first asked Victor Horta for plans, but had rejected them as too expensive. Bonnier designed the grillwork ...
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
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Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ], 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style.
The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing. In Britain, the French term Art Nouveau was commonly used, while in France, it was often called by the term Style moderne (akin to the British term Modern Style), or Style 1900. [9]
The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Émile Gallé, jewelry by René Lalique, and posters by Aubrey Beardsley. Bing wrote in 1902, "Art Nouveau, at the time of its creation, did not aspire in any way to have the honor of becoming a generic term.
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