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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Among Horiyoshi III's published works are the following books: Ed Hardy published "Tattoo designs of Japan", Nihonshuppansha published 36 Ghosts, 108 Heroes of the Suikoden, 100 Demons, 58 Musha, The Namakubi (a collection of drawings of severed heads), former American-Japanese apprentice Horitaka has published books on the masters work which ...
By the early 21st century, tattoos were stigmatized in Japanese culture, and many Japanese associated them with the Yakuza. [4] However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [ 4 ]
The tattoo designs were based on the belief that people were part of the larger cycle of life and integrated elements of the land, sky, water, and the space in between to symbolize these beliefs. [ 39 ] : 222–228 In addition, the Osage People believed in the smaller cycle of life, recognizing the importance of women giving life through ...
Japanese tattoo artists (5 P) Pages in category "Japanese tattooing" The following 4 pages are in this category, out of 4 total.
Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usually used to describe full-body tattoos done in the traditional style. [2]
Tomoe (巴, also written 鞆絵), [a] commonly translated as "comma", [2] [3] is a comma-like swirl symbol used in Japanese mon (roughly equivalent to a heraldic badge or charge in European heraldry). It closely resembles the usual form of a magatama. The tomoe appears in many designs with various uses.
Emoto claimed that water was a "blueprint for our reality" and that emotional "energies" and "vibrations" could change its physical structure. [14] His water crystal experiments consisted of exposing water in glasses to various words, pictures, or music, then freezing it and examining the ice crystals' aesthetic properties with microscopic photography. [9]
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