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The painting depicts the young artist (then twenty one) in the middle of a room, distorted by the use of a convex mirror. The hand in the foreground is greatly elongated and distorted by the mirror. The work was painted on a specially-prepared convex panel in order to mimic the curve of the mirror used.
Three Studies for a Self-Portrait, 1979–80, 37.5 x 31.8cm. Metropolitan Museum of Art. Three Studies for a Self-Portrait is an oil-on-canvas triptych painting by the Irish-born English artist Francis Bacon. Two of paintings are signed and dated 1979, and the third signed and dated 1979–1980.
He has often made distorted self-portraits and portraits of his own wife. Portraits of horses, and of large- headed babies were other favorite motifs. His dark style was particularly inspired by Rembrandt van Rijn. Painting was a way for him to work with his own psyche, with frequent bouts of depression and mania.
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
The last self portrait that Utermohlen used a mirror for, [95] Self Portrait (With Easel) (1998) uses the same pose as a 1955 self-portrait. Polini states that this was his desire to "experience again the old motions of painting". [96] Erased Self Portrait (1999) [e] was his last self-portrait using a paint brush. [98]
Nevertheless, taking into account the fact that the female self-portrait appeared more than a century after the male self-portrait, and that for a long time there were fewer female artists, it would seem quite reasonable to place the proportion at a maximum of 15-20%.
A self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in painting figures in religious or other types of composition.
The "Oslo self-portrait", (Nasjonalmuseet) Another self-portrait from 1889, often called the Oslo self-portrait because it is owned by the Nasjonalmuseet in Norway, [12] was authenticated in 2020 by the Van Gogh Museum. [13] This painting, with the artist looking sideways, was painted while the artist was in the asylum in Saint-Rémy and is ...
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