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46 artworks by or after Diego Velázquez at the Art UK site; Velázquez works at the Web Gallery of Art; Velázquez at Artcyclopedia.com; 202 paintings by Diego Velázquez at DiegoVelazquez.org; Diego Velázquez at WikiPaintings.org; Diego Velazquez's Online Exhibition at Owlstand.com; Diego Velázquez, Collection of resources and illustrated ...
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [ 1 ] Among these paintings, however, are many widely known and influential works.
The art historian Svetlana Alpers suggests that, by portraying the artist at work in the company of royalty and nobility, Velázquez was claiming high status for both the artist and his art, [65] and in particular to propose that painting is a liberal rather than a mechanical art. This distinction was a point of controversy at the time.
Print. Time-Life Library of Art. D'ORS, PABLO PÉREZ, et al. “Velázquez in Fraga: a New Hypothesis about the Portraits of El Primo and Philip IV.” The Burlington Magazine, vol. 154, no. 1314, 2012, pp. 620–625. JSTOR, [2] "Dwarfs as seventeenth-century cynics at the court of Philip IV of Spain: a study of Velazquez' portraits of palace ...
Infanta Margarita Teresa in a Blue Dress is one of the best-known portraits by Spanish painter Diego Velázquez. Executed in oil on canvas, it measures 127 cm high by 107 cm wide and was one of Velázquez's last paintings, produced in 1659, a year before his death. It shows Margaret Theresa of Spain who also appears in the artist's Las Meninas.
Portrait of Pope Innocent X is an oil on canvas portrait by the Spanish painter Diego Velázquez, created during a trip to Italy around 1650. Many artists and art critics consider it the finest portrait ever created. [1] It is housed in the Galleria Doria Pamphilj in Rome.
The idealization of the god's face is highlighted by the clear light which illuminates him in a more classicist style. [3] The right side, however, presents some drunkards, men of the streets that invite us to join their party, with a very Spanish atmosphere similar to José de Ribera in style. There is no idealization present in their large ...
Noting the resemblance of the model in these paintings, the art historian José López-Rey wrote in 1999 that "obviously, Velázquez worked in both cases, and, for that matter, in the Fable of Arachne and Arachne, from the same model, the same sketch, or just the same idea of a beautiful young woman.
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