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"Matilda" is a song by English singer-songwriter Harry Styles, from his third studio album Harry's House (2022). The song was written by Styles, Thomas Hull , Tyler Johnson and Amy Allen , while production was handled by Kid Harpoon and Johnson.
Matilda" (sometimes spelled Mathilda) is a calypso song. Some songwriting credits are given as Harry Thomas (rumoured to be a pseudonym combining Harry Belafonte and his guitarist, Millard Thomas , [ 1 ] but ASCAP simply lists Harry Thomas alias Harry Belafonte, the writer of "Hold 'em Joe"), some credits are given as Norman Span .
The soundtrack list to Matilda the Musical was released by Sony Masterworks and Netflix Music on 4 November 2022. [8] The album featured much of the songs featured in the stage musical as well as a new closing number written for the film, that kept undisclosed (later titled "Still Holding My Hand").
All versions of Matilda—the 1988 novel, the 1996 film directed by Danny DeVito, the West End/Broadway stage film, and the 2022 Netflix movie musical—differ from each other in key ways.
Roald Dahl's Matilda, also known simply as Matilda and Matilda the Musical, is a musical with music and lyrics by Tim Minchin and a book by Dennis Kelly. It is based on the 1988 novel Matilda by Roald Dahl .
Roald Dahl's Matilda the Musical, or simply Matilda the Musical, or Matilda, is a 2022 fantasy musical film directed by Matthew Warchus from a screenplay by Dennis Kelly, based on the stage musical of the same name by Tim Minchin and Kelly, which in turn was based on the 1988 novel Matilda by Roald Dahl.
"When I Grow Up" was the first song that Tim Minchin wrote for Matilda, attempting to find a tone for the entire musical, drawing inspiration from his child. [1] He also drew inspiration from a childhood memory in which the adults on his grandfather's farm would fiddle with the padlock to a gate, whereas Minchin went out of his way to hurdle the gate, promising to himself to never open the ...
The School Library Journal wrote "You can’t help but love songs with double meanings like the oh-so appropriately named 'Revolting Children'". [3] The New York Times deemed it a "rousing final number" [2] and "an anthem of liberation", suggesting "which Mr. Darling has choreographed with a wink at Bill T. Jones’s work on “Spring Awakening”". [4]