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A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h É› n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
The Society for Creative Anachronism (SCA) is a medieval reenactment group with an international membership, founded in California in 1966. Members of the group participate, to a greater or lesser extent, in a wide variety of activities based on those found in pre-1601 CE cultures.
Various SCA groups also sometimes host collegia or symposia, where members gather for a raft of classes on various medieval arts and sciences and other SCA-related topics. The minimum standard for attendance at an SCA event is "an attempt at pre-17th century clothing", [19] and there is a general goal of maintaining a historical atmosphere.
This style of dress continued in fashion until the end of the reign of King Edward III (1327–1377). [2] A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk.
Survey of historic costume: A history of Western dress (2nd ed.). New York: Fairchild Publications. ISBN 1-56367-003-8. Van Buren, Anne H. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: Morgan Library & Museum, 2011. ISBN 978-1-9048-3290-4
Dress for women was more loosely fit compared to the previous century and somewhat more modest, the era from about 1220 onward having notably been characterised as the 'elegant period' in Gothic dress by Ortwin Gamber. A narrow belt was uniform, which could be richly decorated with metal plating in various colours such as gold and green.
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