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Child Jesus Salvator Mundi (17th century), Portugal. Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger.
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
Jesus' love-scarred hands reveal his identity, even as he steps from the empty tomb. Jesus comes to heal our scars and show us the depth of his love.
Jesus granted Thomas's demands to verify his crucifixion, marks: [3] the marks of the nails in Jesus' hands and the pierced hole on his side . [4] It surely shocked Thomas that Jesus knows exactly his problem as every letter of his requirements for physical verification ( John 20:25 ) is met and spoken back to him with uncanny precision.
This symbol is usually assumed to be the "Chi-Rho (X-P)" symbol, but some think it was a cross. Consequently, his soldiers painted this symbol on their shields and then defeated their foe, Maxentius. Christ as Salvator Mundi by Andrea Previtali Danish globus cruciger, part of the Danish Crown Regalia
And, as already mentioned, in Prometheus on Caucasus Lucian describes Prometheus as crucified "with his hands outstretched". The 2nd-century Odes of Solomon, probably by a heterodox Christian, includes the following: "I extended my hands and hallowed my Lord, /For the expansion of my hands is His sign. /And my extension is the upright cross ...
[7] [better source needed] According to another interpretation, when Michelangelo set out to create his Pietà, he wanted to create a work he described as "the heart's image". [ 8 ] Two drilled holes are located at the top head of the Virgin Mary, which once supported the bar holding two levitating angels, while another hole is located at the ...