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Lithocarpus sp. - MHNT Lithocarpus sp. - MHNT Lithocarpus is a genus in the beech family, Fagaceae.Trees in this genus are commonly known as the stone oaks and differ from Quercus primarily because they produce insect-pollinated flowers on erect spikes and the female flowers have short styles with punctate stigmas.
The mosque was constructed with cut stone rescued from the Callatis ruins by a team of Turkish craftsmen. [5] The stone blocks were glued together without the use of any binder, but merely with cast steel staples put in holes drilled in the stone. Oak props are installed at the Esmahan Sultan Mosque's entryway. [1]
The walls and dome inside Sinan Pasha Mosque were painted in the 19th century, mostly of floral patterns and Qur'an verses. The minbar is painted with floral motives. Both the large dome and the half-dome of the mosque are covered with lead. The stone flooring of the mosque and the carpentry are original. [2]
Lithocarpus edulis, the Japanese stone oak, is a species of stone-oak native to Japan. It is an evergreen tree growing up to 15 metres tall. The nuts are edible for people but taste bitter. The nuts contain tannins, however soaking them in water removes them. It is cultivated as an ornamental plant.
Stone, marble, tile The Murad Pasha Mosque ( Arabic : جَامِع مُرَاد بَاشَا , romanized : Jāmiʿ Murād Bāšā ; Turkish : Murat Paşa Camii ) is an early Ottoman -era mosque and mausoleum in Damascus , Syria , located in the Suwayqa sector of the Al-Midan quarter.
The Mahmut Pasha Hamam today, located northeast of the mosque. Like many other Ottoman mosques, the Mahmut Pasha Mosque was part of a larger charitable complex, a külliye, composed of multiple buildings which were governed together through a waqf foundation (Turkish: vakıf).
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Mesih Mehmed Pasha Mosque (Turkish: Mesih Mehmed Paşa Camii) is a 16th-century Ottoman mosque in the Fatih district of Istanbul, Turkey. It was commissioned by one of Murad III 's grand viziers , Mesih Mehmed Pasha , and designed by the imperial architect Mimar Sinan .
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