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Lamentation of Christ is an Early Netherlandish panel painting made 1455–1460 by Flemish painter Dirk Bouts of the Lamentation of Christ. [1] the picture was bequeathed to the Louvre Museum by Constant Mongé-Misbach in 1871, at which time it was misattributed to Rogier van der Weyden. [2] [3] It remains in that museum's collection as RF 1 ...
Dieric Bouts [note 1] (born c. 1415 – 6 May 1475) [2] was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden , and his work was influenced by van der Weyden and Jan van Eyck .
Dirk Bouts, The Entombment (Graflegging in Dutch), probably 1450s. Glue-size tempera on linen, 87.5 × 73.6 cm (34.4 × 29 in). [1] National Gallery, London (NG 664). The Entombment is a glue-size painting on linen [notes 1] attributed to the Early Netherlandish painter Dieric Bouts.
Dirk Bouts, Triptych with Scenes from the Life of the Virgin, c. 1445, oil on panel, 80 × 217 cm (31 × 85 in), Museo del Prado, Madrid. [1]The Triptych with Scenes from the Life of the Virgin is an oil painting on panel by the Early Netherlandish painter Dieric Bouts.
The Virgin is identifiable as the Mater Dolorosa by the tears that stream down her face. [1] Bouts painted many versions of the Ecce Homo during his career. [4] His father, Dieric, had painted a similar set of oil-on-oak panels c. 1470–75, known as the Christ and the Virgin Diptych, now in the National Gallery, London.
The Christ and the Virgin Diptych consisted of two small oil on oak panel paintings by the Early Netherlandish painter Dirk Bouts (also called Dieric Bouts) completed c. 1470–1475. Originally they formed the wings of a hinged devotional diptych .
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The Baptism of Christ (completed c.1448-1450) Frescoes in Castello Estense and church of Sant'Andrea, Ferrara (1449; now lost) Barthélemy d'Eyck (attributed) – Aix Annunciation (1443-1445) Giovanni di Paolo. Guelfi Altarpiece (1445) Illuminations of Dante's Paradiso (c.1444-1450) Jean Fouquet – Portrait of Pope Eugene IV (before 1447)