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The Final Cut is the twelfth studio album by the English rock band Pink Floyd, released on 21 March 1983 through Harvest and Columbia Records. It comprises unused material from the band's previous studio album, The Wall (1979), alongside new material recorded throughout 1982.
Both appear on Pink Floyd's second album, A Saucerful of Secrets, [10] the first of several to feature cover artwork by Hipgnosis. [11] In 1969, Pink Floyd released a soundtrack album, More, and a combined live and studio album, Ummagumma. [12] Atom Heart Mother (1970) was a collaboration with Ron Geesin, featuring an orchestra and choir. [13]
Pink Floyd: Discovery is a compilation CD box set by Pink Floyd released on 26 September 2011 to launch the Why Pink Floyd...? re-release campaign. The box set includes all of their standard studio albums released by this point. All albums were newly remastered by James Guthrie and Joel Plante.
In a review for The Final Cut, Justin Gerber of Consequence of Sound described "Two Suns in the Sunset" as "the album's crowning achievement." [10] Toby Manning was less enthusiastic in his retrospective review, saying that this was the one song off The Final Cut where the musician Waters couldn't stay on the same level as the conceptualist ...
The song appears on their 1983 album, The Final Cut. [2] It is the eighth track on the album and is arranged between "Get Your Filthy Hands Off My Desert" and "Southampton Dock". The song is also featured on the Pink Floyd compilations Echoes: The Best of Pink Floyd [3] and A Foot in the Door – The Best of Pink Floyd. [4]
The Final Cut: 1983 [20] "Footsteps" / "Doors" † David Gilmour Nick Mason Roger Waters Richard Wright Instrumental The Early Years 1965–1972: 2016 [11] "Free Four" Roger Waters Roger Waters Obscured by Clouds: 1972 [1] "Get Your Filthy Hands Off My Desert" Roger Waters Roger Waters The Final Cut: 1983 [20] "Give Birth to a Smile" Roger ...
INTERVIEW: The guitarist and his wife, the novelist Polly Samson, talk to Geordie Greig about collaborating on his new album, the secret of their lasting love, their fears about mortality, and why ...
The threat of a lawsuit from Gilmour, Mason and CBS Records was meant to compel Waters to write and produce another Pink Floyd album with his bandmates, who had barely participated in making The Final Cut; Gilmour was especially critical of the album, labelling it "cheap filler" and "meandering rubbish". [15]
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