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The mask-makers were called skeuopoios or "maker of the props", thus suggesting that their role encompassed multiple duties and tasks. The masks were most likely made out of light weight, organic materials like stiffened linen, leather, wood, or cork, with the wig consisting of human or animal hair. [ 22 ]
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
A typical representation of the comedy and tragedy masks The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts . Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters ...
Actors were seen as celebrities in ancient Greece. Masks were an important part of Greek theatre, for in theatres such as the Theatre of Dionysus 14,000 people came to watch, including prisoners who were released just for theatrical events. [3] The mouth of a mask was open, as shown in this pelike, and have amplification abilities.
The so-called 'Mask of Agamemnon', a 16th-century BC mask discovered by Heinrich Schliemann in 1876 at Mycenae, Greece, National Archaeological Museum, Athens The word "mask" appeared in English in the 1530s, from Middle French masque "covering to hide or guard the face", derived in turn from Italian maschera, from Medieval Latin masca "mask, specter, nightmare". [1]
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The use of masks in dance in the West traces back to ancient Greece. Grecian dancers would use masks for religious rituals to embody Dionysus and Appollo. [1] In Greek theaters, masks are used to enhance the drama of tragedy and comedy, illustrated by kordax, a mask dance of comedy characterized of uninhibited lasciviousness. [2]
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