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Amy was originally filmed as a television movie titled Amy on the Lips, and was the first television movie that Disney Studios made for an adult audience. [3] Nanette Fabray and Louise Fletcher were interested in the role of "Malvina", a teacher of deaf children. Fabray, who played the part, was hearing impaired, and Fletcher's parents were ...
Greatest Heroes of the Bible: The Story of Moses (1978, TV episode) Greatest Heroes of the Bible: The Ten Commandments (1978, TV episode) Animated Stories from the Bible: Moses: From Birth to Burning Bush (1993, TBN, TV episode) Moses (1995, TNT Bible Series) The Prince of Egypt (1998) The Ten Commandments: The Musical (2006) The Ten ...
Deborah #2 – Prophetess and the fourth, and the only female, Judge of pre–monarchic Israel in the Old Testament. Judges [41] Delilah – The "woman in the valley of Sorek" who Samson loved. Judges [42] Dinah – Daughter of Jacob, one of the patriarchs of the Israelites and Leah, his first wife. Genesis [43] Dorcas, also known as Tabitha ...
M. M (James Bond) Constance MacKenzie; Heather MacLeod; Moira MacTaggert; Malvina Monroe; Mama Fratelli; Lucie Manette; Mantis (Marvel Cinematic Universe) Mantis (Marvel Comics)
Amy Medford, the title character of Amy, a Walt Disney Pictures live-action film. Amy Minoru, the older sister of Nico Minoru in the TV series Runaways. Amelia "Amy" Pond, companion of the Doctor in the TV series Doctor Who. Amy Pond, a character in the TV series Supernatural. Amy Raudenfeld, a main character in the TV series Faking It.
Jennifer Ann Agutter OBE (born 20 December 1952) is an English actress. She began her career as a child actress in 1964, appearing in East of Sudan, Star!, and two adaptations of The Railway Children; the BBC's 1968 television serial and the 1970 film version.
See the biopic stars alongside images of the late singing legend and the people who played key roles in her life. Amy Winehouse ‘Back to Black’: Side-by-sides of cast and real-life ...
According to author Diane Apostolos-Cappadona, in the 1950s and 1960s, during the era of the production code, "the most acceptable cinematic path for movies to incorporate sex and violence was the biblical epic". [6] Basing a film on the Bible allowed it to be more risqué than would normally have been accepted.