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Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus). Originally, it was accompanied by a lyre , a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
In German, the word Choral may as well refer to Protestant congregational singing as to other forms of vocal (church) music, including Gregorian chant. [1] The English word which derived from this German term, that is chorale, however almost exclusively refers to the musical forms that originated in the German Reformation.
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
This category is intended for choral works that are not anthems, cantatas, oratorios or operas. Subcategories This category has the following 17 subcategories, out of 17 total.
Further reading. Boehm, B (2008). Choirs of angels : painting in Italian choir books, 1300-1500. New York: The Metropolitan Museum of Art. Ilko, Krisztina (2023). ...
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
The first part of Atmen gibt das Leben was composed for a cappella choir during a composition seminar on 1 February 1974. This was in response to a request from the German Choral Association for a piece that could be sung by amateur choirs, and Stockhausen's original idea was that his students should each write a simple choral piece using a text from The Bowl of Saki, by Inayat Khan, and then ...
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