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Cowichan artist Edward Joe, who has adapted the Coast Salish art form into fine jewelry and prints, says "(Coast) Salish art has as smooth slowing motion intended to create a calm mood. The stories, legends, and myths are depicted in many of my art pieces. Animals from the land, sea, and sky are designed in a playful manner." [11]
Kaavi art (Devanagari:कावि कला) is a form of murals found in Konkan region especially in temples of Goa, parts of coastal Maharashtra and Karnataka. Kaavi murals can also be seen in old houses, small shrines. Kaavi murals at Lakshmi Narayan Mahamaya temple, Ankola Karnataka
The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre over the boats and Mount Fuji visible in the background. The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints.
A native of Madison Heights, Michigan, Wyland began painting as a child and attended Detroit's Center for Creative Studies in the 1970s. [1] His connection with whales began when he was 14 on a visit with his family to Laguna Beach, California where he saw the ocean for the first time and witnessed several gray whales migrating down the California coast towards Mexico. [2]
Whaling Walls (a pun on the Wailing Wall) are created by invitation of the communities, institutions, and building owners of the structures on which they are painted. His first mural was created in 1981, and Wyland's 100th Whaling Wall was painted in Beijing in 2008.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
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