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Clotilde en la playa, 1904 Paseo del faro, 1906 Elena en la playa, 1909. Born in Valencia, Joaquín Sorolla had been familiar since his youth with life on the sea. In his early work, there is the traditional port view Marina, Barcos en el Puerto with which he made his debut in the art exhibition Expsoición National in Madrid in 1881. [17]
When it was a slow news day, her editor required her to photograph women on the beach. "It was women's lib, and I thought it was unacceptable to ask me to do that," she said. So she photographed a woman in a bikini , had the image blown up to poster size, tacked it to the wall of her office, and told everyone that it was the last such picture ...
Breakers on a Flat Beach 1835–1840 Tate Britain, London: 90.2 x 121 Seascape 1835–1840 Tate Britain, London: 90.2 x 121 The Beacon Light 1835-1845 National Museum Wales, Cardiff: 61.5 x 96 Head of a Person Asleep 1835 Tate Britain, London: 24.4 x 30.2 Quillebeuf, Mouth of the Seine 1833 Calouste Gulbenkian Museum, Lisbon: 88 x 120 [10]
O'Keeffe's mother encouraged all five of her daughters to study art, as women on farms were responsible for decorating their homes. Her mother also helped educate her children. O'Keeffe studied art at a Catholic girls' high school, where, at the age of 14, she first began focusing on larger images in her paintings in response to a nun who ...
Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat (1938) Beach with Telephone (1938) Coccyx Women (1938) Composition – Two Women with a Town in the Background (1938) Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone (1938) Museum of Modern Art, New York
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