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  2. Malagueñas (flamenco style) - Wikipedia

    en.wikipedia.org/wiki/Malagueñas_(flamenco_style)

    Malagueñas (Spanish pronunciation: [malaˈɣeɲas]) is one of the traditional styles of Andalusian music , derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century.

  3. Andalusian cadence - Wikipedia

    en.wikipedia.org/wiki/Andalusian_cadence

    Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]

  4. Flamenco guitar - Wikipedia

    en.wikipedia.org/wiki/Flamenco_guitar

    A flamenco guitar is a guitar similar to a classical guitar, but with lower action, [1] thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. [ 2 ]

  5. Flamenco mode - Wikipedia

    en.wikipedia.org/wiki/Flamenco_mode

    Flamenco mode Play ⓘ.. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.

  6. Soleá - Wikipedia

    en.wikipedia.org/wiki/Soleá

    The typical flamenco progression iv, III, II, I (an altered Phrygian cadence) is heard several times during the development of the song. In E altered Phrygian, the progression would be Am, G, F, E (the E chord should be Em in a diatonic Phrygian cadence, but its diatonic third – G – is altered to a G ♯).

  7. Cantiñas - Wikipedia

    en.wikipedia.org/wiki/Cantiñas

    The usual chord positions for the tonic chord in the guitar are those of E major, C major and, occasionally, A major, the latter usually reserved for solo guitar pieces. The chord progression is normally of the simple tonic-dominant type, although modern guitar players introduce other transitional chords. The palos classified under this group are:

  8. Rasgueado - Wikipedia

    en.wikipedia.org/wiki/Rasgueado

    Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.

  9. Oscar Herrero - Wikipedia

    en.wikipedia.org/wiki/Oscar_Herrero

    Óscar Herrero is a Flamenco guitarist from Spain. He was born in Tomelloso ( Ciudad Real ) on 12 March 1959. Oscar Herrero has authored several flamenco guitar teaching DVDs and didactic textbooks.

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