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Little is known about the exact origin of the music now known as the blues. [1] No specific year can be cited as its origin, largely because the style evolved over a long period but blues is inarguably a Black American art form as it is noted "it is impossible to say exactly how old blues is - certainly no older than the presence of Negroes in the United States.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Blues legend B.B. King with his guitar, "Lucille" Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. [1] Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc.
Many Delta blues artists, such as Big Joe Williams, moved to Detroit and Chicago, creating a pop-influenced city blues style. This was displaced by the new Chicago blues sound in the early 1950s, pioneered by Delta bluesmen Muddy Waters , Howlin' Wolf , and Little Walter , that was harking back to a Delta-influenced sound, but with amplified ...
Clifford Antone (October 27, 1949 – May 22, 2006) was the founder of the eponymous Austin blues club Antone's and independent record label Antone's Records and Tapes, as well as a mentor to Stevie Ray Vaughan, Jimmie Vaughan, Kim Wilson, Gary Clark, Jr. and numerous other musicians.
Blues dancing originated in the dances brought to America by enslaved Africans, who followed sub-Saharan African music traditions.There is no documented evidence across the history of pre-colonial sub-Saharan African dance for sustained one-on-one mixed-gender partnered dancing; African cultures apparently considered this type of dancing to be inappropriate.
The National Blues Museum is a 501(c)(3) non-profit museum in St. Louis, Missouri, United States, dedicated to exploring the musical history and impact of the blues.It exists as an entertainment and educational resource focusing on blues music.
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