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In literature an author sets the tone through words. The possible tones are bounded only by the number of possible emotions a human being can have. Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example: "Charlie surveyed the classroom but it was really his mother ...
An author's diction is extremely important in discovering the narrator's tone, or attitude. Syntax ... effective in achieving an author's purpose. Example: ...
Authors strategically position themselves in relation to their audience by considering pertinent contextual elements that impact the communicative situation. Brian Street advocates for an expansive interpretation of "context," encompassing "conceptual systems, political structures, economic processes, and so on," rather than merely focusing on ...
For example, the desert may be a setting for a cowboy story and may generate a mood of solitude, desolation, and struggle, among other possible associations. The attitude of the narrator is another element that helps generate mood. As the reader is dependent on the narrator's perspective of the story, they see the story through their lenses ...
For example, my daughter wrote in her homework, "I went to the osen," rather than "I went to the ocean." The teacher hadn't corrected the mistake because the emphasis was on visual cues — a ...
The author uses narrative and stylistic devices to create the sense of an unedited interior monologue, characterized by leaps in syntax and punctuation that trace a character's fragmentary thoughts and sensory feelings. The outcome is a highly lucid perspective with a plot. Not to be confused with free writing. An example is Ulysses. At one ...
Gabriel Chevallier (3 May 1895 – 6 April 1969) [1] was a French novelist widely known as the author of the satire Clochemerle. He is also known for Fear [ fr ] ( La Peur ), a novel about the World War I. [ 2 ]
An example is the portrayal of Zhou Jin, the elderly examination candidate. The final level is that of autobiography, the author's attitude toward the events of the story. This is revealed in chapter titles, poems, and occasional narrative interludes.