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The European Piffari, Stadtpfeifer and Waits were multi-instrumentalists, who played trumpet, sackbut, shawm, cornett, recorder and string-instruments. [2] Musicians with an education of a Stadtpfeifer were Gottfried Reiche, [3] Johann Joachim Quantz, [3] Johann Christof Pezel and Sigmund Theophil Staden. [3]
On bowed instruments, the need to play strings individually with the bow also limits the number of strings to about six or seven; with more strings, it would be impossible to select individual strings to bow. (Bowed strings can also play two bowed notes on two different strings at the same time, a technique called a double stop.)
Seven-string guitar; Tailed bridge guitar; Tenor guitar; Ten-string guitar; Twelve-string guitar; Guitaro; Guitarrón argentino (Argentina) Guitarrón mexicano (Mexico) Guitarrón chileno (Chile) Guqin (China) Gusli (Russia) Guzheng (China) Harp. Chromatic harp; Electric harp; Folk harp; Pedal Harp (a.k.a. concert harp) Triple harp; Harpsichord ...
The viola also has the advantage of smaller scale-length, which means that the stretches needed by cellists to play the piece are easier to achieve on the viola. However, occasional changes must be made due to differences in the ways that the two instruments are played, as well as their differences in range.
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously.
Aeolian harp made by Robert Bloomfield. An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named after Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges.
The way the haegeum is played changed dramatically since the Joseon Dynasty. Before middle Joseon period, musicians played the string in gyeong-an method (placing and stopping with no pulling on strings like western bowed-string instrument), but since then they have begun to play in yeok-an method (pulling the string). Accordingly, it is ...
The players hold the instrument in a distinct manner similar to the way that citole players were shown to hold their instruments, resting the instrument on the playing arm, and bringing their forearm and wrist to the strings from underneath the body of the instrument. In contrast, players of lute family instruments, such as the gittern, mandore ...