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This is the Frontispiece to Campbell's edition of Palladio's First Book of Architecture. There are architectural influences in the broken pediment sat atop coupled Corinthian columns. This image also features a portrait of Palladio (the author), himself, in the manner of a classical statue. [11]
Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.
In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. [2]
An illustration of the primitive hut by Charles Dominique Eisen was the frontispiece for the second edition of Laugier's Essay on Architecture (1755). The frontispiece was arguably one of the most famous images in the history of architecture; it helped to make the essay more accessible and consequently it was more widely received by the public.
Classical Architecture: An Introduction to Its Vocabulary and Essentials, With a Select Glossary of Terms. W. W. Norton & Company. ISBN 978-0-393-73119-4. John Newenham Summerson (1963). The Classical Language of Architecture. The MIT Press. ISBN 978-0-262-69012-6. Tzonis, Alexander; Lefaivre, Liane (1986). Classical architecture: the poetics ...
“Architects and historians of architecture throughout the United States recognize this as a … significant property.” ... Home: This is a two-bed, 1,800-square-foot, Greek Revival-style house ...
Architecture was built using bated and phenixes-a special type of grass in Greece mixed in white paste. Urban plan of Patras, 1830. The architecture of the modern Greek cities, especially the old centres ("old towns") is mostly influenced either by the Ottoman or the Venetian architecture, two forces that dominated the Greek space from the early modern period.
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.