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Note: The "lost overture" to King Kong (1933), which first premiered on the channel Turner Classic Movies in 2005 and was released on DVD that same year, is in fact a montage of music recordings from the film spliced together for that specific release. There was no overture in the original release.
This is a list of nonfiction works that have been made into feature films. The title of the work is followed by the work's author, the title of the film, and the year of the film. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area.
A social problem film is a narrative film that integrates a larger social conflict into the individual conflict between its characters. In the context of the United States and of Hollywood , the genre is defined by fictionalized depictions of social crises set in realistic American domestic or institutionalized settings.
Human Resources: Laurent Cantet: Comedy drama: Employment, Social class: 1999 Outlaw: Enzo Monteleone: Crime Comedy drama: Horst Fantazzini, Illegalism: 2000 Anarchists: Yoo Young-sik: Action: Insurrectionary anarchism, Japanese occupation of Korea, Propaganda of the deed: 2000 La Commune (Paris, 1871) Peter Watkins: Historical drama: Paris ...
The Hairy Ape (film) Half a Sixpence (film) Happy Birthday to Me (film) Hating Alison Ashley (film) Heavenly Creatures; Hell Night; High Hopes (1988 film) High Society (1956 film) High-Rise (film) Holiday (1938 film) The Holy Innocents (film) Homeless (film) Human Resources (1999 film)
Social science fiction is a subgenre thereof, where social commentary (cultural or political) takes place in a sci-fi universe. Utopian and dystopian fiction is a classic, polarized genre of social science fiction, although most works of science fiction can be interpreted as having social commentary of some kind or other as an important feature ...
Social Impact Entertainment on the Development-Entertainment spectrum, [1] with its closest neighbor Entertainment-Education Social Impact Entertainment (SIE) is "all storytelling that is self-aware of its potential impact on its audiences and incorporates that knowledge to effect positive change at the individual, local, or global scale on one or more social issues", as defined by the SIE ...
The sociology of film deals with the sociological analysis of film. [1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."