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Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
In practical terms, it means that if one face in a group portrait is 4 metres from the "key" light and another is 5.6 m away, the face further from the light will be one f/stop darker. In an outdoor portrait of a group of 200 people taken on an overcast day, the lighting of all the faces will be equal.
The effect is produced by adding a small and even level of exposure to the entire image. Since exposure levels increase logarithmically, this tiny level of additional exposure has no practical effect on an image's mid-tones or highlights, while it shifts the darker areas of the image into the practical sensitivity range, thus allowing the darker areas of the image to show visual detail rather ...
Generally, the technology of digital photography extended the range for available light photography strongly. While it is possible to make decent images of night scenes in streets or in rooms without flash even with the cameras of standard smartphones of 2022, this was virtually impossible with the former photographic film , with the only ...
In photography, a back light (often the sun) that is about sixteen times more intense than the key light produces a silhouette. A fill flash used with a backlit subject yields more even lighting. The vertical angle of the back light can change the effect. A low angle can make the light hit the camera lens, causing lens flare. A high angle can ...
Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposures, mattes, or the Schüfftan process or in post-production using an optical printer. An optical effect might place actors or sets against a different background.
The streetlight effect, or the drunkard's search principle, is a type of observational bias that occurs when people only search for something where it is easiest to look. [1] Both names refer to a well-known joke: A policeman sees a drunk man searching for something under a streetlight and asks what the drunk has lost.
A size of film or image sensor somewhat larger than the 35mm film standard of 36 × 24 mm. MILC: Mirrorless interchangeable-lens camera. Similar to a digital single-lens reflex camera, but having an electronic or rangefinder type of viewfinder in place of the mirror and pentaprism, to allow a more compact design. See also EVIL camera. MTF